October 27, 2010
She's got mine!
Serenity sat with me this morning,
reached for my clipboard of notes and blank paper.
Awkwardly holding the mechanical pencil
in her left hand,
made stabs and swipes at the college rule:
the scribbles are getting bolder.
Fingering the letters of my name
printed and taped to the metal clip,
I explain she is of a select few
who call me Grandpa.
Gazing at the work of her hand
she wraps her arms around the stiff board
and hugs the page to her tiny chest.
Thursday, October 28, 2010
Thursday, October 21, 2010
Drool
October 21, 2010
Sometimes I feel like this is what my writing looks like.
Serenity held the paper and pen
like one who had waited a lifetime
for just such instruments;
rubbing them together like two dry sticks,
anticipating a spark
to set her little world on fire.
Turning the pen over and over,
her thumb unacquainted with opposing,
the button did not click, and yet
a long string of drool issued forth
leaving its mark upon the paper.
Sometimes I feel like this is what my writing looks like.
Serenity held the paper and pen
like one who had waited a lifetime
for just such instruments;
rubbing them together like two dry sticks,
anticipating a spark
to set her little world on fire.
Turning the pen over and over,
her thumb unacquainted with opposing,
the button did not click, and yet
a long string of drool issued forth
leaving its mark upon the paper.
Labels:
children,
grandfather/grandchild,
humor,
poem,
poetry,
poetry about poetry,
Serenity,
writing
Pool of Serenity
October 20, 2010
You can look at this 3 ways.
I have an old water fountain
now filled with pebbles and rocks
that Serenity likes to play in.
She'll take the stones,
one or two in each hand,
and walk about turning them,
then tossing them,
then returning for more.
You can see the holes where she's been.
You can look at this 3 ways.
I have an old water fountain
now filled with pebbles and rocks
that Serenity likes to play in.
She'll take the stones,
one or two in each hand,
and walk about turning them,
then tossing them,
then returning for more.
You can see the holes where she's been.
Labels:
children,
cleansing,
grandfather/grandchild,
peace,
poem,
poetry,
Serenity,
spiritual poetry
Dancing On the Grave
October 6, 2010
My dear sister, Annette, asked me to pen a poem to be read at her funeral. It's not that she's dying--far from it as far as I know--she just wants to be prepared. This is actually two poems in one--she's special.
Dancing On the Grave
(A Song of Rejoicing
for the Funeral of my Sister, Annette Smith
written well before she moved on)
So you think this is a victory
because my vocal chords are silenced
and laughter no longer bounces off
my tongue through the gap in my teeth
that will fall to the floor of this box.
You think this is loss
because my hands are folded flat
and not clapping to the heartbeat
no longer beating
the song beat of a different heart.
Do you believe this is the end
because my lifeless limbs
don't sway in the Wind in the dust;
and the dust will devour my flesh,
and the Wind will blow it where it will?
This is just the beginning.
My arms now move
to a whole new groove.
I am one with the Wind
and the dust don't keep me down.
This is gain.
My hands are lifted high applauding
the one beat,
the only beat,
the eternal beat.
Ha! This is a victory.
Hear my song.
Annette's Song
The Lord has brought me through.
My God has made a way.
Jesus carried me.
Your Word lead me.
Your Spirit moved me.
Your Presence guided me.
And I lived my life in You.
And You lived Your life through me.
And we lived our life as one.
Before Your throne I kneel.
Before Your power I bow.
Before Your majesty I lay myself down.
In the company of all the saints, I lift my voice to You.
In the sight of all the angels, I sing Your praise.
In Your presence, I worship.
I worship Your name.
I adore Your name.
I love Your name.
And I have a new name.
And though I have always known Your name,
it is new.
YES!
YES!
YES!
Bless You Lord.
Bless You God.
Bless You Jesus.
Jesus.
Jesus.
Jesus.
My dear sister, Annette, asked me to pen a poem to be read at her funeral. It's not that she's dying--far from it as far as I know--she just wants to be prepared. This is actually two poems in one--she's special.
Dancing On the Grave
(A Song of Rejoicing
for the Funeral of my Sister, Annette Smith
written well before she moved on)
So you think this is a victory
because my vocal chords are silenced
and laughter no longer bounces off
my tongue through the gap in my teeth
that will fall to the floor of this box.
You think this is loss
because my hands are folded flat
and not clapping to the heartbeat
no longer beating
the song beat of a different heart.
Do you believe this is the end
because my lifeless limbs
don't sway in the Wind in the dust;
and the dust will devour my flesh,
and the Wind will blow it where it will?
This is just the beginning.
My arms now move
to a whole new groove.
I am one with the Wind
and the dust don't keep me down.
This is gain.
My hands are lifted high applauding
the one beat,
the only beat,
the eternal beat.
Ha! This is a victory.
Hear my song.
Annette's Song
The Lord has brought me through.
My God has made a way.
Jesus carried me.
Your Word lead me.
Your Spirit moved me.
Your Presence guided me.
And I lived my life in You.
And You lived Your life through me.
And we lived our life as one.
Before Your throne I kneel.
Before Your power I bow.
Before Your majesty I lay myself down.
In the company of all the saints, I lift my voice to You.
In the sight of all the angels, I sing Your praise.
In Your presence, I worship.
I worship Your name.
I adore Your name.
I love Your name.
And I have a new name.
And though I have always known Your name,
it is new.
YES!
YES!
YES!
Bless You Lord.
Bless You God.
Bless You Jesus.
Jesus.
Jesus.
Jesus.
Labels:
death,
elegy,
faith,
funeral,
God,
hope,
Jesus,
life,
poem,
poetry,
praise,
religious poetry,
soul,
spiritual poetry,
the future
Thursday, October 14, 2010
Wet: morning of September 30, 2010
September 30, 2010
Serenity is a fount of inspiration!
It rained last night and the earth is all wet;
too wet for little feet,
too wet to be absorbed by a single disposable diaper.
So you return the favor and press
drool soaked lips against the window pane,
giving the world outside a sloppy wet kiss,
your diaper drooping below sea level.
Serenity is a fount of inspiration!
It rained last night and the earth is all wet;
too wet for little feet,
too wet to be absorbed by a single disposable diaper.
So you return the favor and press
drool soaked lips against the window pane,
giving the world outside a sloppy wet kiss,
your diaper drooping below sea level.
Poets' Dilemma Delight or Just Another Tuesday Night
September 24, 2010
Inspired by the poetry of Billy Collins.
Can't we just mean what we say?
Does each line need to hide meaning?
Why can't we just sit down to dinner
our plates spilling peas and carrots into each other, or
on rare occasions, asparagus lying parallel or perpendicular;
mashed potatoes, mine overflowing, yours barely covered, with gravy;
these beside various pork chops, or as generally is in this economy,
quick frozen chicken breast, fulfilling its duty as the main course;
all without the fork and the spoon doubling entendre?
Is it possible for us to sit on the couch
and watch TV for just an hour or two, commercial breaks included,
just you and I and perhaps a comforter on top and a pillow between
in the glow of thirty-six inch diagonal, non-HD wonder
without it having to mean something before we go to bed,
read a book, snuggle, and sleep?
Is it all meant to mean something
other than what happens in that moment
on the page?
Inspired by the poetry of Billy Collins.
Can't we just mean what we say?
Does each line need to hide meaning?
Why can't we just sit down to dinner
our plates spilling peas and carrots into each other, or
on rare occasions, asparagus lying parallel or perpendicular;
mashed potatoes, mine overflowing, yours barely covered, with gravy;
these beside various pork chops, or as generally is in this economy,
quick frozen chicken breast, fulfilling its duty as the main course;
all without the fork and the spoon doubling entendre?
Is it possible for us to sit on the couch
and watch TV for just an hour or two, commercial breaks included,
just you and I and perhaps a comforter on top and a pillow between
in the glow of thirty-six inch diagonal, non-HD wonder
without it having to mean something before we go to bed,
read a book, snuggle, and sleep?
Is it all meant to mean something
other than what happens in that moment
on the page?
Labels:
Billy Collins,
children's poetry,
inspiration,
poem,
poetry,
poetry about poetry,
thoughts,
writing
The Living Word
September 23, 2010
Lord, I live
by your word.
My life is in the spoken sentences
and paragraphs from Your mouth,
not the black and red ink on
rice paper that can be burned to ashes,
added to the pile;
but by Your voice that etches
the tablets of my heart,
by Your breath that permanently
marks my mind,
the breeze that brands my soul
as Yours
I live.
Lord, I live
by your word.
My life is in the spoken sentences
and paragraphs from Your mouth,
not the black and red ink on
rice paper that can be burned to ashes,
added to the pile;
but by Your voice that etches
the tablets of my heart,
by Your breath that permanently
marks my mind,
the breeze that brands my soul
as Yours
I live.
Labels:
Bible,
God,
poem,
poetry,
praise,
prayer,
religious poetry,
soul,
spiritual poetry,
voice
poesimania
September 22, 2010
poesimania
The first one's free.
They said it was an acquired taste;
fine wines painting impressionist portraits
upon nurtured taste buds.
Large barrel-like bottles of table whites and reds
lead to Chardonnays and Merlots
soft, supple and complex...
brimming with plush cherry...
and jammy blackberries followed by
hints of vanilla and spice;
samplings of Pinot Grigio
opening with seductive floral
and lemon aromas, followed by notes
of mineral and tropical flavors;
glasses of Reisling
made in an off-dry style
accentuating delicate notes of...
stone-fruit flavors...white peach and apricot...
deliciously mingled with hints of Anjou pear
and bursts of jasmine;
a bottle of Trivento 2008 Malbec,
a bright carmine red
whose plum and raspberry jam aromas
mingle elegantly with vanilla notes
from the 6 months aged in French oak barrels;
to a case of 2001 Nebbiolo,
garnet-red...with ruby reflections...
scents of roses, vanilla, roasted hazelnuts,
licorice and spices...
pleasant touch of tar and
oaky notes in perfect equilibrium.
All served with aged cheeses, wafer thin crackers,
and fresh fruits upon a tray of silver or Malaysian bamboo.
What they didn't say
was that once acquired
required constant feeding
like heroin or crack
crawling up your spine
chasing monkeys without wings
things that go bump in the day
days without end
nights with no sleep
creepy, crawly flesh
less like a man than a worm
squirming through your veins
raining on your parade
a charade of death walking
in a daze of confused words
and guttural phrases spewed out
through black and broken teeth
spittal running down the jawbone
of a diseased mind
I'll find it this time
I swear I'll pay you back
just one more
please, God, let it make sense.
I buy chapbooks like dime bags
and hide them from my wife.
poesimania
The first one's free.
They said it was an acquired taste;
fine wines painting impressionist portraits
upon nurtured taste buds.
Large barrel-like bottles of table whites and reds
lead to Chardonnays and Merlots
soft, supple and complex...
brimming with plush cherry...
and jammy blackberries followed by
hints of vanilla and spice;
samplings of Pinot Grigio
opening with seductive floral
and lemon aromas, followed by notes
of mineral and tropical flavors;
glasses of Reisling
made in an off-dry style
accentuating delicate notes of...
stone-fruit flavors...white peach and apricot...
deliciously mingled with hints of Anjou pear
and bursts of jasmine;
a bottle of Trivento 2008 Malbec,
a bright carmine red
whose plum and raspberry jam aromas
mingle elegantly with vanilla notes
from the 6 months aged in French oak barrels;
to a case of 2001 Nebbiolo,
garnet-red...with ruby reflections...
scents of roses, vanilla, roasted hazelnuts,
licorice and spices...
pleasant touch of tar and
oaky notes in perfect equilibrium.
All served with aged cheeses, wafer thin crackers,
and fresh fruits upon a tray of silver or Malaysian bamboo.
What they didn't say
was that once acquired
required constant feeding
like heroin or crack
crawling up your spine
chasing monkeys without wings
things that go bump in the day
days without end
nights with no sleep
creepy, crawly flesh
less like a man than a worm
squirming through your veins
raining on your parade
a charade of death walking
in a daze of confused words
and guttural phrases spewed out
through black and broken teeth
spittal running down the jawbone
of a diseased mind
I'll find it this time
I swear I'll pay you back
just one more
please, God, let it make sense.
I buy chapbooks like dime bags
and hide them from my wife.
Thursday, October 7, 2010
The Heart of God
September 20, 2010
There is not a soul alive
that has glimpsed the complete beauty
within a conch shell.
Broken by the crush of waves
and washed smooth by sand
gives a partial and wholly different vision.
The only way to truly comprehend
the smooth darkness of its bright curves:
crawl inside.
Can a man know the tenderness
of a mother nursing?
Neither can remember
the comfort of the infant
suckling mama's breast.
It must be lived in the moment of innocence.
To my knowledge,
no one alive has survived
the internal winds and pressure of a tornado
whipping about seemingly out of control;
dust and debris flung about on the outside,
while molecules of nothingness fill the eye.
But wouldn't that be an experience.
There is not a soul alive
that has glimpsed the complete beauty
within a conch shell.
Broken by the crush of waves
and washed smooth by sand
gives a partial and wholly different vision.
The only way to truly comprehend
the smooth darkness of its bright curves:
crawl inside.
Can a man know the tenderness
of a mother nursing?
Neither can remember
the comfort of the infant
suckling mama's breast.
It must be lived in the moment of innocence.
To my knowledge,
no one alive has survived
the internal winds and pressure of a tornado
whipping about seemingly out of control;
dust and debris flung about on the outside,
while molecules of nothingness fill the eye.
But wouldn't that be an experience.
Labels:
faith,
God,
love,
poem,
poetry,
relationships,
spiritual poetry
Ghost of Serenity
September 20, 2010
You're not dead.
Just not here.
Where'd she go?
Don't wave bye.
Blown kisses
fill the air.
Echoes of morning jabber
tickle my inner ear.
Toys are scattered across the floor.
No one is playing.
I eat my Cheerios®
alone.
You're not here.
We're not alive.
You're not dead.
Just not here.
Where'd she go?
Don't wave bye.
Blown kisses
fill the air.
Echoes of morning jabber
tickle my inner ear.
Toys are scattered across the floor.
No one is playing.
I eat my Cheerios®
alone.
You're not here.
We're not alive.
Labels:
baby,
children,
family,
grandfather/grandchild,
loneliness,
love,
poem,
poetry,
relationships
Tuesday, October 5, 2010
Reading the Bible by Moonlight
September 15, 2010
I actually attempted to read by moonlight. It was early morning, the moon was full and bright, but not bright enough.
Reading the Bible by moonlight
words are blurred and smeared
on a not so white surface
only thing clear the white space
the margins that surround ink
jot tittle blend indistinguishable
from alpha and omega
Dawn, increasing clarity;
words are ordered in steps.
O's are opened, I's made straight;
more white space is evident
in the pores of the P's and the Q's:
each letter clearly delineated.
Even the punctuation is comprehensible.
I actually attempted to read by moonlight. It was early morning, the moon was full and bright, but not bright enough.
Reading the Bible by moonlight
words are blurred and smeared
on a not so white surface
only thing clear the white space
the margins that surround ink
jot tittle blend indistinguishable
from alpha and omega
Dawn, increasing clarity;
words are ordered in steps.
O's are opened, I's made straight;
more white space is evident
in the pores of the P's and the Q's:
each letter clearly delineated.
Even the punctuation is comprehensible.
Labels:
Bible,
God,
life,
light,
moon,
nature,
poetry,
religious poetry,
spiritual poetry,
truth
Love Poetry
September 14, 2010
1.
She lifted the words of my poem off the paper,
dry-flower pressed them between the pages
of her heart,
carried the meaning in her bosom
between her breasts
where a line of sweat traced her cleavage,
cleaving the sense of the words to and from our souls
like the drop of sweat rolling between my eyes
down the bridge of my nose to drop
upon the page, blurring any trace of meaning
between the careful symmetry
of the lines.
2.
Remember how we used to leave each other messages:
the first one out of the shower
would write with their finger
on the steamed mirror
I “heart” U or
U R SEXY;
words that remained after
the condensation evaporated.
1.
She lifted the words of my poem off the paper,
dry-flower pressed them between the pages
of her heart,
carried the meaning in her bosom
between her breasts
where a line of sweat traced her cleavage,
cleaving the sense of the words to and from our souls
like the drop of sweat rolling between my eyes
down the bridge of my nose to drop
upon the page, blurring any trace of meaning
between the careful symmetry
of the lines.
2.
Remember how we used to leave each other messages:
the first one out of the shower
would write with their finger
on the steamed mirror
I “heart” U or
U R SEXY;
words that remained after
the condensation evaporated.
When I Was A Child
September 11, 2010
Reminiscent of a simpler time.
Gumby,
Gunsmoke,
no one was voted off
Gilligan's Island;
Bozo, Batman (in gray tights);
Dragnet;
wrestling greats Bobo Brazil,
Flying Fred Curry,
The Sheik;
I always lost at marbles,
little league baseball,
Webeloes and Awanas;
yellow Huffy bicycle, banana seat,
sissy bar, chopper handle bars,
no helmet, no pads;
Detroit Tigers on the transistor radio,
Hank Williams on the console stereo;
drive-ins;
station wagon,
bench seats, seat belts not required;
black cherry Kool-Aid™,
fried oatmeal, bread pudding,
both with raisins,
goulash, Sunday pot roast;
weeping willow in the front yard,
cherry on the side, wild apple across the fence,
rhubarb and clover.
When I was four I was allowed
to walk a quarter mile
down the tree-lined road by myself
to play with my friend Ruth.
Reminiscent of a simpler time.
Gumby,
Gunsmoke,
no one was voted off
Gilligan's Island;
Bozo, Batman (in gray tights);
Dragnet;
wrestling greats Bobo Brazil,
Flying Fred Curry,
The Sheik;
I always lost at marbles,
little league baseball,
Webeloes and Awanas;
yellow Huffy bicycle, banana seat,
sissy bar, chopper handle bars,
no helmet, no pads;
Detroit Tigers on the transistor radio,
Hank Williams on the console stereo;
drive-ins;
station wagon,
bench seats, seat belts not required;
black cherry Kool-Aid™,
fried oatmeal, bread pudding,
both with raisins,
goulash, Sunday pot roast;
weeping willow in the front yard,
cherry on the side, wild apple across the fence,
rhubarb and clover.
When I was four I was allowed
to walk a quarter mile
down the tree-lined road by myself
to play with my friend Ruth.
Monday, September 6, 2010
Wholly You (A Confession)
August 31, 2010
This poem is deeply personal. It is a metaphor of amazing grace in my life. I dedicate this to my God and Saviour, Jesus Christ; and to my wife Lynn, whose love and forgiveness saved me.
It was completely you
responsible for reconciliation.
The fault is mine for crouching out the door,
walking away from the dwelling
we both built with our bare hands,
down the street and around the corner
for a tawdry, no wait,
sleazy is a better word,
affair with a strange woman;
make believe quote/unquote love, no wait,
sex with three x's is a better word,
in the dark fabric of the quilted streets of the city:
certainly castration is a certainty.
Nevertheless you nursed me back
to your milk-laden breasts
with words
of passionate urging, loving guidance, tender comfort.
I stained your back with tears of sludge.
Turning me over
you crossed my heart.
I hoped to die.
I must have been speaking in tongues
when I cried out “Merci! Merci!”
because my lips don't know how to formulate foreign language by themselves.
And now when we make love, no wait,
the better word is love,
your nails painted blood-rust dig my flesh;
Oh, God! I feel the pain you provide—pain not like yours,
in comparison a tingling, an internal cutis anserina.
The foreign tongue you mastered.
The reason we are becoming one
is wholly you.
This poem is deeply personal. It is a metaphor of amazing grace in my life. I dedicate this to my God and Saviour, Jesus Christ; and to my wife Lynn, whose love and forgiveness saved me.
It was completely you
responsible for reconciliation.
The fault is mine for crouching out the door,
walking away from the dwelling
we both built with our bare hands,
down the street and around the corner
for a tawdry, no wait,
sleazy is a better word,
affair with a strange woman;
make believe quote/unquote love, no wait,
sex with three x's is a better word,
in the dark fabric of the quilted streets of the city:
certainly castration is a certainty.
Nevertheless you nursed me back
to your milk-laden breasts
with words
of passionate urging, loving guidance, tender comfort.
I stained your back with tears of sludge.
Turning me over
you crossed my heart.
I hoped to die.
I must have been speaking in tongues
when I cried out “Merci! Merci!”
because my lips don't know how to formulate foreign language by themselves.
And now when we make love, no wait,
the better word is love,
your nails painted blood-rust dig my flesh;
Oh, God! I feel the pain you provide—pain not like yours,
in comparison a tingling, an internal cutis anserina.
The foreign tongue you mastered.
The reason we are becoming one
is wholly you.
Labels:
cleansing,
forgiveness,
God,
hope,
Jesus,
love,
love poem,
lust,
poem,
poetry,
redemption,
relationships,
religious poetry,
sexual,
sin,
temptation,
wife
Saturday, August 28, 2010
Developing Voice
August 27, 2010
from notes on drafts:
[Develop your voice
your singular voice.
Huh?
But I have many voices.]
at last stanza:
When I'm dead will the things that I've said (written) still matter?
Developing Voice
"The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you."
Thomas Lux, "The Voice You Hear When You Read Silently"
The black & white home movies of the early sixties
silenced my infant voice;
until the reel-to-reel recorded it again one
Christmas morning singing Jingle Bells into the taste
of the aluminum microphone.
A decade later, the tape had stretched its vocal chords
and was no longer recognizable.
I once lost my voice
in high school, auditioning for a role in “The Fantastiks.”
I sang one line and then it just stopped...
as if someone had flicked a switch or a fuse had popped
and I didn't have a penny to fix it.
I found it again
proposing pacifism, debating doctrine, singing psalms;
and again on the sidewalks for the unborn, the uninformed;
and again parading prophetic in ecstatic glossolalia utterance.
There's the voice my children have heard.
There's the voice my grandchildren hear.
There's one for the dog.
My wife knows my voice
when I'm setting up a bad pun,
when I'm up on my soap box,
when I'm asking a question
or broaching a sensitive subject.
There is one only she knows
when our door is closed
or when we're not talking.
I have a telephone voice
and a cell phone voice:
they are different.
It actually goes up
about half an octave
when I'm waiting tables.
This phenomenon seems to affect most servers.
When I try to talk to you,
what if
what if I stut...stut...stutter;
suppose my syllables slip into lisp;
perhaps the words no longer exist.
And what if we don't speak the same language?
¿Y si no hablamos el mismo idioma?
Where I come from, we don't have an accent.
And when my lips are peeled back from my teeth,
and my tongue has been eaten by worms,
will my voice still be heard in the heads of my kids
when they speak to kids of their own?
from notes on drafts:
[Develop your voice
your singular voice.
Huh?
But I have many voices.]
at last stanza:
When I'm dead will the things that I've said (written) still matter?
Developing Voice
"The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you."
Thomas Lux, "The Voice You Hear When You Read Silently"
The black & white home movies of the early sixties
silenced my infant voice;
until the reel-to-reel recorded it again one
Christmas morning singing Jingle Bells into the taste
of the aluminum microphone.
A decade later, the tape had stretched its vocal chords
and was no longer recognizable.
I once lost my voice
in high school, auditioning for a role in “The Fantastiks.”
I sang one line and then it just stopped...
as if someone had flicked a switch or a fuse had popped
and I didn't have a penny to fix it.
I found it again
proposing pacifism, debating doctrine, singing psalms;
and again on the sidewalks for the unborn, the uninformed;
and again parading prophetic in ecstatic glossolalia utterance.
There's the voice my children have heard.
There's the voice my grandchildren hear.
There's one for the dog.
My wife knows my voice
when I'm setting up a bad pun,
when I'm up on my soap box,
when I'm asking a question
or broaching a sensitive subject.
There is one only she knows
when our door is closed
or when we're not talking.
I have a telephone voice
and a cell phone voice:
they are different.
It actually goes up
about half an octave
when I'm waiting tables.
This phenomenon seems to affect most servers.
When I try to talk to you,
what if
what if I stut...stut...stutter;
suppose my syllables slip into lisp;
perhaps the words no longer exist.
And what if we don't speak the same language?
¿Y si no hablamos el mismo idioma?
Where I come from, we don't have an accent.
And when my lips are peeled back from my teeth,
and my tongue has been eaten by worms,
will my voice still be heard in the heads of my kids
when they speak to kids of their own?
Labels:
life,
poem,
poetry,
poetry about poetry,
the future,
the past,
time,
voice,
writing
Monday, August 23, 2010
The Mentor and the Page
August 17, 2010
One and the same?
The old poet licked his thumb and turned
his crinkling face to face his page,
catechism burning his lips.
Teacher, when will I be a poet?
When all is beauty and grotesque in the same syllable.
When question marks become statements;
commas, colons, and periods the movement
of your chest, your lungs, your diaphragm.
When each breath taken becomes a metaphor
for each breath you take
and your lover merely a symbol for love.
When every heartbeat pumps a slant rhyme.
When what you see is what you hear;
what you smell what you feel.
When every moment becomes a title, each experience a line, all memory a stanza.
The aged wordsmith pricked his thumb and bled,
an inkling of narrative published
on the novice' ear.
But Sir, when shall I become a poet?
When the space between the lines blurs with the ink upon the paper.
When your limbs grow into trees rooted in the heart of the earth
and toner circulates through your veins and your blood speaks from the ground.
When the secrets of the universe are inadvertently hidden
between the lines for everyone to see.
When rhyme needs no reason; no, nor reason to rhyme.
When time is not measured in meter or minutes,
and timeless morphs to cliche.
When your only rush comes from the cutting of words into lines
on the mirror surface of the page to be snorted through a gutted pen
directly to you brain.
The wizened bard flicked his thumb and fingered
the bleached page before which
each penman bows his head.
Father, I want to be a poet. When?
When nothing is sacred.
When everything is sacred.
When black and white are just shades of grey with an e.
When gray with an a is merely the merging of black and white.
When the footnote leads the header.
When your pen instructs the paper
and the poem becomes your teacher.
When your inquiry is no longer when
but why.
In anguish, the young poet selected all.
And when questioned concerning his intention,
clicked “YES” and cursed all to the Trash Bin.
One and the same?
The old poet licked his thumb and turned
his crinkling face to face his page,
catechism burning his lips.
Teacher, when will I be a poet?
When all is beauty and grotesque in the same syllable.
When question marks become statements;
commas, colons, and periods the movement
of your chest, your lungs, your diaphragm.
When each breath taken becomes a metaphor
for each breath you take
and your lover merely a symbol for love.
When every heartbeat pumps a slant rhyme.
When what you see is what you hear;
what you smell what you feel.
When every moment becomes a title, each experience a line, all memory a stanza.
The aged wordsmith pricked his thumb and bled,
an inkling of narrative published
on the novice' ear.
But Sir, when shall I become a poet?
When the space between the lines blurs with the ink upon the paper.
When your limbs grow into trees rooted in the heart of the earth
and toner circulates through your veins and your blood speaks from the ground.
When the secrets of the universe are inadvertently hidden
between the lines for everyone to see.
When rhyme needs no reason; no, nor reason to rhyme.
When time is not measured in meter or minutes,
and timeless morphs to cliche.
When your only rush comes from the cutting of words into lines
on the mirror surface of the page to be snorted through a gutted pen
directly to you brain.
The wizened bard flicked his thumb and fingered
the bleached page before which
each penman bows his head.
Father, I want to be a poet. When?
When nothing is sacred.
When everything is sacred.
When black and white are just shades of grey with an e.
When gray with an a is merely the merging of black and white.
When the footnote leads the header.
When your pen instructs the paper
and the poem becomes your teacher.
When your inquiry is no longer when
but why.
In anguish, the young poet selected all.
And when questioned concerning his intention,
clicked “YES” and cursed all to the Trash Bin.
Wednesday, August 18, 2010
Natural Selection, Naturally
August 13, 2010
Science doesn't answer all of the questions.
So...
how did those bugs know
those other bugs don't taste too fine?
Then,
how did they get the word out
to the rest of the swarm or hive
to change their spots or stripes
to look like those other bugs?
First,
they must have had one
heck of a research team
investigating the necessary DNA markers
needed to evolve.
Perhaps,
they thought real hard,
gritting their tiny little mandibles,
chanting “I think I can! I think I can!” until
the right shades and hues popped out on their tiny little exoskeletons.
Maybe
they just used Match.com
to hook up with the right
mates to propagate
the appropriate gene pool.
However
they did it,
them some smart bugs.
Science doesn't answer all of the questions.
So...
how did those bugs know
those other bugs don't taste too fine?
Then,
how did they get the word out
to the rest of the swarm or hive
to change their spots or stripes
to look like those other bugs?
First,
they must have had one
heck of a research team
investigating the necessary DNA markers
needed to evolve.
Perhaps,
they thought real hard,
gritting their tiny little mandibles,
chanting “I think I can! I think I can!” until
the right shades and hues popped out on their tiny little exoskeletons.
Maybe
they just used Match.com
to hook up with the right
mates to propagate
the appropriate gene pool.
However
they did it,
them some smart bugs.
The Lost Art of Walking
August 13, 2010
Nobody walks anywhere anymore. It seems that the younger generation needs some form of transportation just to get around the block. But there's more to walking than putting one foot in front of the other. It's noticing things along the way. And it's a nice metaphor for life. Besides, even God enjoys a good walk (Genesis 3:8).
The Lost Art of Walking
Does not matter where you start or started;
comfortable shoes are wise, a bottle of water necessary;
any and all weather acceptable, sunny with a breeze preferable.
through the school playground littered with jungle gyms, swings, and slides
wads of paper tucked between the grass blades
chewing gum tattooed on the sidewalk
crossing over railroad tracks cutting perspective through trees
tight-rope walking narrow shoulders too close to oncoming traffic
soft shoulders sprinkled with litter like shed tears
full-blast electric hum, buzz of insects in the powerline cut
cigarette butts congregating against the curb
multicolored mulches
close-up, slow-motion landscaping
every untrimmed branch standing out in hi-def, bold relief
question mark butterfly--what is it's taxonomic label in Latin?
deserted service station
oily parking lot, empty abandoned cracked pavement fading lines
red clay, rocks, grass (carefully manicured this side, gone to seed that side)
anthills
back roads and small businesses you cannot see from the highway
there's a picnic table behind the firehouse
there's another one in the cemetery--go figure
sidewalks end
arriving home is like walking into your hometown
that you haven't been to since you were a kid
it's old and familiar and surreal and new
Nobody walks anywhere anymore. It seems that the younger generation needs some form of transportation just to get around the block. But there's more to walking than putting one foot in front of the other. It's noticing things along the way. And it's a nice metaphor for life. Besides, even God enjoys a good walk (Genesis 3:8).
The Lost Art of Walking
Does not matter where you start or started;
comfortable shoes are wise, a bottle of water necessary;
any and all weather acceptable, sunny with a breeze preferable.
through the school playground littered with jungle gyms, swings, and slides
wads of paper tucked between the grass blades
chewing gum tattooed on the sidewalk
crossing over railroad tracks cutting perspective through trees
tight-rope walking narrow shoulders too close to oncoming traffic
soft shoulders sprinkled with litter like shed tears
full-blast electric hum, buzz of insects in the powerline cut
cigarette butts congregating against the curb
multicolored mulches
close-up, slow-motion landscaping
every untrimmed branch standing out in hi-def, bold relief
question mark butterfly--what is it's taxonomic label in Latin?
deserted service station
oily parking lot, empty abandoned cracked pavement fading lines
red clay, rocks, grass (carefully manicured this side, gone to seed that side)
anthills
back roads and small businesses you cannot see from the highway
there's a picnic table behind the firehouse
there's another one in the cemetery--go figure
sidewalks end
arriving home is like walking into your hometown
that you haven't been to since you were a kid
it's old and familiar and surreal and new
Baby Dreams
August 13, 2010
I actually started writing this when Serenity was an infant. I found it amazing that she was experiencing REM so early. Her dreams must have been amazing.
Eyelids closed in infant sleep;
rapid eye movement
as quick as your heartbeat:
What could you
be dreaming?
With eyes wide open you can't find,
can't even focus;
yet visions flash in your mind:
What could you
be dreaming?
Not old enough to even be young.
Heart not awakened
to the good or bad; right and wrong.
What could you
be dreaming?
Is your soul still connected
by a heavenly cord?
Your innocence unaffected.
What could you
be dreaming?
I actually started writing this when Serenity was an infant. I found it amazing that she was experiencing REM so early. Her dreams must have been amazing.
Eyelids closed in infant sleep;
rapid eye movement
as quick as your heartbeat:
What could you
be dreaming?
With eyes wide open you can't find,
can't even focus;
yet visions flash in your mind:
What could you
be dreaming?
Not old enough to even be young.
Heart not awakened
to the good or bad; right and wrong.
What could you
be dreaming?
Is your soul still connected
by a heavenly cord?
Your innocence unaffected.
What could you
be dreaming?
Friday, August 13, 2010
Serenity's First Birthday
August 6, 2010
I'll miss you when you're gone:
pointy finger
squint your eyes
purse your lips
slobber drool
wobbley dance
crab walking
waddle down the hall
peek-a-boo
numma numma breakfast
yay--clap, clap
I'll see you in the morning
for our walk among the trees.
I'll miss you when you're gone:
pointy finger
squint your eyes
purse your lips
slobber drool
wobbley dance
crab walking
waddle down the hall
peek-a-boo
numma numma breakfast
yay--clap, clap
I'll see you in the morning
for our walk among the trees.
Labels:
baby,
birthday,
children,
children's poetry,
grandfather/grandchild,
life,
love,
relationships,
thoughts
Cacophony of Quiet
August 6, 2010
Just sitting in the backyard.
The sun rounds
the bounds of the trees.
crickets
crickets
crickets
crickets
crickets
whistle
click
trill
twitter
click
trill
chirrup
click click
trill
trill
trill
hidden frog
raspy zipper solo
amplified
raspy zipper solo
echoed
raspy zipper duet
in the next yard
squirrels
lustily playing leaping
in the pine
piquing
cross branches cross branches
that crackle crackle complaints
as they pass
cicadas plug in
warming up with the sun
the arrival of
galvanic vibrations
evolves
lively revivals
of vibrant vivace
vocalizing volumes
of verve
Just sitting in the backyard.
The sun rounds
the bounds of the trees.
crickets
crickets
crickets
crickets
crickets
whistle
click
trill
click
trill
chirrup
click click
trill
trill
trill
hidden frog
raspy zipper solo
amplified
raspy zipper solo
echoed
raspy zipper duet
in the next yard
squirrels
lustily playing leaping
in the pine
piquing
cross branches cross branches
that crackle crackle complaints
as they pass
cicadas plug in
warming up with the sun
the arrival of
galvanic vibrations
evolves
lively revivals
of vibrant vivace
vocalizing volumes
of verve
Stained Glass
August 3, 2010
Foiling
visuals of my mind,
moving pictures of my heart,
the virtual reality of my spirit;
solidifying divine revelation
with rust and sand and lead;
expounding liquid dreams
by fusing concrete realities,
hardened adjectives
for pools of light
unable to penetrate,
because the Windex isn't working
on the stained glass
darkened glass
glassy eyed
window of your soul.
Foiling
visuals of my mind,
moving pictures of my heart,
the virtual reality of my spirit;
solidifying divine revelation
with rust and sand and lead;
expounding liquid dreams
by fusing concrete realities,
hardened adjectives
for pools of light
unable to penetrate,
because the Windex isn't working
on the stained glass
darkened glass
glassy eyed
window of your soul.
Labels:
imagination,
light,
poem,
poetry,
poetry about poetry,
soul,
spiritual poetry,
writing
Wednesday, July 28, 2010
What You Want
July 26, 2010
Reading the guidelines for a poetry contest, one thing they were NOT looking for was poetry with "I" in every line. I understand their point, but to me it was a challenge.
I do not
want I
to write about I.
I do not
wish to know I.
I do not
care about I.
If I write about I
I may come to know I.
I require inscriptions
about the motions of I;
the emotions of another I;
verses relative to the vast un-I
universe that I reside in.
I desire lines
devoid the sound of I;
I call for metaphor
of anything but I.
Write what I know.
I know I.
At least I think
I do.
Reading the guidelines for a poetry contest, one thing they were NOT looking for was poetry with "I" in every line. I understand their point, but to me it was a challenge.
I do not
want I
to write about I.
I do not
wish to know I.
I do not
care about I.
If I write about I
I may come to know I.
I require inscriptions
about the motions of I;
the emotions of another I;
verses relative to the vast un-I
universe that I reside in.
I desire lines
devoid the sound of I;
I call for metaphor
of anything but I.
Write what I know.
I know I.
At least I think
I do.
Labels:
humor,
poem,
poetry,
poetry about poetry,
poetry contests,
thoughts,
writing
Which Came First?
July 5, 2010
Just saying...
Why debate eggs?
Sperm is the real issue.
Just saying...
Why debate eggs?
Sperm is the real issue.
Labels:
creation,
epigrams,
God,
nature,
poem,
poetry,
religious poetry,
spiritual poetry,
the past,
truth
Wednesday, July 7, 2010
A Psalm of the Morning
July 6, 2010
You, Lord, make the earth turn
to see the sun again;
You guide the moon in its orbit
to give light in the darkness.
You, Lord, aged the stars and the galaxies
to shine at the appropriate time;
You alone, Lord, know the edges
of the universe in every direction.
It was You, Lord, that exposed Your thought
and in a micro-nano-millisecond
set in motion the world to come.
How great are You, Lord.
How far more intelligent
than the greatest minds of men combined.
You, Lord, make the earth turn
to see the sun again;
You guide the moon in its orbit
to give light in the darkness.
You, Lord, aged the stars and the galaxies
to shine at the appropriate time;
You alone, Lord, know the edges
of the universe in every direction.
It was You, Lord, that exposed Your thought
and in a micro-nano-millisecond
set in motion the world to come.
How great are You, Lord.
How far more intelligent
than the greatest minds of men combined.
Labels:
creation,
God,
nature,
poem,
poetry,
praise,
religious poetry,
spiritual poetry
Monday, July 5, 2010
Big Bang
July 5, 2010
This started as a quick assignment in Creative Writing 238. We were instructed to quickly write a list of sounds, select one, write a descriptive paragraph. I selected "car crash" and wrote what I could remember of sounds from a car crash that I had experienced. Looking for notes to another story, I found it and noticed poetry within the text. All of the lines are pared down from the original. As I arranged the lines into a more poetic form, I saw new meaning in the words. Creation. Thus, the last stanza.
no picture before
the attenuated screeching of rubber on pavement
no visual prior
to the dull, unmetallic
thud
of grillongrill
absence of images preceded
cr unc hin g of g la ss
whOOOOOOOsh
exploded into
temporarily sightless eyes
a chasm of time
interrupting
the normal flow of traffic
darkness turning around
blindly facing a new direction
dust and gas and twilight
intertwining
in the confining atmosphere
stumble out coughing
have i been in an accident?
This started as a quick assignment in Creative Writing 238. We were instructed to quickly write a list of sounds, select one, write a descriptive paragraph. I selected "car crash" and wrote what I could remember of sounds from a car crash that I had experienced. Looking for notes to another story, I found it and noticed poetry within the text. All of the lines are pared down from the original. As I arranged the lines into a more poetic form, I saw new meaning in the words. Creation. Thus, the last stanza.
no picture before
the attenuated screeching of rubber on pavement
no visual prior
to the dull, unmetallic
thud
of grillongrill
absence of images preceded
cr unc hin g of g la ss
whOOOOOOOsh
exploded into
temporarily sightless eyes
a chasm of time
interrupting
the normal flow of traffic
darkness turning around
blindly facing a new direction
dust and gas and twilight
intertwining
in the confining atmosphere
stumble out coughing
have i been in an accident?
Monday, June 14, 2010
Taste and See
June 14, 2010
Straight from the printer to the blog.
Serenity lay in my arm,
left hand supporting
the bottle of formula,
ever moving fingers of her right
wrapped around my pinky;
working the nipple,
she relaxed as I rocked.
Reading the Psalms of David,
trying to hold onto Serenity—
the uncoordinated ballet
of her tiny digits
fingering the pages
as she gnaws the cover.
Straight from the printer to the blog.
Serenity lay in my arm,
left hand supporting
the bottle of formula,
ever moving fingers of her right
wrapped around my pinky;
working the nipple,
she relaxed as I rocked.
Reading the Psalms of David,
trying to hold onto Serenity—
the uncoordinated ballet
of her tiny digits
fingering the pages
as she gnaws the cover.
Thursday, June 3, 2010
Looking Through a Glass Eye
May 31, 2010
Glass eyes are cold.
Glass eyes are hard.
Stored in velvet lined boxes.
Regular sanitary attention required.
Rainbow beams of prismed light
stop short at the painted pupil.
Corrective lenses only
focus on reflection.
Reflection
is dependant upon the angle
of the head.
Depth perception
comes up short.
Peripheral is one-sided.
For all of its anatomical accuracy
of size and shape
and artistic quality
of color and depth
it is still
not attached
to the optic nerve.
Glass eyes are cold.
Glass eyes are hard.
Stored in velvet lined boxes.
Regular sanitary attention required.
Rainbow beams of prismed light
stop short at the painted pupil.
Corrective lenses only
focus on reflection.
Reflection
is dependant upon the angle
of the head.
Depth perception
comes up short.
Peripheral is one-sided.
For all of its anatomical accuracy
of size and shape
and artistic quality
of color and depth
it is still
not attached
to the optic nerve.
Labels:
blindness,
inanimate object,
light,
poem,
poetry,
spiritual poetry,
truth
Wednesday, May 19, 2010
The Color of Piss
May 8, 2010
OK. This officially brings me up-to-date.
This poem, believe it or not, is based on a teaching of Christ. It's not what goes in a person's mouth that defiles them, but what comes out. Matthew 15:1-20 and Mark 7:1-16.
I believe
you can tell a lot
about a man
by the color
of his piss.
It's not orthodox.
It's fundamental truth:
a man's piss
don't lie.
Knew a man once
while in the Navy,
been up all night
drinking Bud in a can;
had to piss in a cup
next morning to prove
other substances were
not in
the system.
The cup held a nice
amber shade
with a half inch head.
This other fellow
been around the block--
a few times--
said everytime
he whizzed
burned like hell.
Had ulcers, too,
or something--
gut felt like barbwire
flossing his insides.
Not sure
of the final prognosis,
but his whizz
had a faint
reddish-orange tint.
There was a guy
worked hard,
did his best;
double shifts
got the best.
B complex
seemed to help
(Red Bull wasn't around yet,
but has a similar outcome).
Came out of the men's room
proclaiming
“My God!
My pee
is neon yellow.”
I am
lately drinking
more water.
Clean water.
Spring water.
Filtered and unflavored.
My urine
is getting clearer
and clearer.
OK. This officially brings me up-to-date.
This poem, believe it or not, is based on a teaching of Christ. It's not what goes in a person's mouth that defiles them, but what comes out. Matthew 15:1-20 and Mark 7:1-16.
I believe
you can tell a lot
about a man
by the color
of his piss.
It's not orthodox.
It's fundamental truth:
a man's piss
don't lie.
Knew a man once
while in the Navy,
been up all night
drinking Bud in a can;
had to piss in a cup
next morning to prove
other substances were
not in
the system.
The cup held a nice
amber shade
with a half inch head.
This other fellow
been around the block--
a few times--
said everytime
he whizzed
burned like hell.
Had ulcers, too,
or something--
gut felt like barbwire
flossing his insides.
Not sure
of the final prognosis,
but his whizz
had a faint
reddish-orange tint.
There was a guy
worked hard,
did his best;
double shifts
got the best.
B complex
seemed to help
(Red Bull wasn't around yet,
but has a similar outcome).
Came out of the men's room
proclaiming
“My God!
My pee
is neon yellow.”
I am
lately drinking
more water.
Clean water.
Spring water.
Filtered and unflavored.
My urine
is getting clearer
and clearer.
Labels:
Bible,
Jesus,
peace,
poem,
religious poetry,
sin,
spiritual poetry,
teachings of Christ,
truth
Happy Birthday Bush
March 18, 2010
The last of the assignments from Creative Writing 238 (which I passed with a resounding A). Instructed to stroll about campus in teams of four and find objects out of place. I found a birthday streamer under a bush.
Birthday streamers
damp from dew and rain
draped about the ground around me,
clinging to the earth
like a sheer silk nighty,
mingling with my roots,
becoming one with the mulch:
carelessly planned,
but I do appreciate the thought.
The last of the assignments from Creative Writing 238 (which I passed with a resounding A). Instructed to stroll about campus in teams of four and find objects out of place. I found a birthday streamer under a bush.
Birthday streamers
damp from dew and rain
draped about the ground around me,
clinging to the earth
like a sheer silk nighty,
mingling with my roots,
becoming one with the mulch:
carelessly planned,
but I do appreciate the thought.
Labels:
birthday,
Creative Writing 238,
inanimate object,
litter,
poem,
poetry,
voice
Participation Anticipation
March 16, 2010
Still another Creative Writing assignment. Write a sound poem--inspired by sound, about sound, play with sound. This one is fun to read aloud.
Let the assignment begin.
Hear the pencils
skritch, scratching
patching together words,
words of a kind
two of a kind
words that rhyme.
Hear the clock click
tick tocking
tick mocking
my heartbeat
a new beat
from my seat
in the front
front, frontal lobe,
sighing
trying
to brainstorm,
storm my brain
with new not C
thoughts.
A muffled cough
a snuffle soft
throws me off
track
ing the line of reason
and rhyme,
what was it this time?
Time
time keeps on
waiting for the moment,
the long awaited moment,
the moment that started the moment
I entered the room.
Pencils down.
Still another Creative Writing assignment. Write a sound poem--inspired by sound, about sound, play with sound. This one is fun to read aloud.
Let the assignment begin.
Hear the pencils
skritch, scratching
patching together words,
words of a kind
two of a kind
words that rhyme.
Hear the clock click
tick tocking
tick mocking
my heartbeat
a new beat
from my seat
in the front
front, frontal lobe,
sighing
trying
to brainstorm,
storm my brain
with new not C
thoughts.
A muffled cough
a snuffle soft
throws me off
track
ing the line of reason
and rhyme,
what was it this time?
Time
time keeps on
waiting for the moment,
the long awaited moment,
the moment that started the moment
I entered the room.
Pencils down.
Instruction in Omelette
March 16, 2010
Another fun little assignment from Creative Writing 238. Write a poem giving instruction for making or doing something. Bon appetit!
The question of which came first
is irrelevant:
you need to start with eggs.
Open them carefully,
avoid the jagged pieces of shell
that may slip through,
into a clean bowl.
Beat vigorously, whip emphatically
into a frothy foam
in which albumen and yolk,
white and yellow
are inseparable.
Peel an onion--
white, yellow, red--
the choice is yours.
Slice this onion.
Chop this onion.
The tears are unavoidable.
Set aside.
Place a teflon coated pan
upon the burner--
medium heat.
A little oil to lubricate,
form a layer of protection
from the hot surface,
impart a little flavor.
Gently pour the beaten mixture
into the heated pan--
allow it to form--
slowly.
Layer upon layer of shredded cheese--
cheddar, mild or sharp,
maybe mozzarella or monterey jack.
Heap onion,
fold,
slide to plate.
Enjoy.
Another fun little assignment from Creative Writing 238. Write a poem giving instruction for making or doing something. Bon appetit!
The question of which came first
is irrelevant:
you need to start with eggs.
Open them carefully,
avoid the jagged pieces of shell
that may slip through,
into a clean bowl.
Beat vigorously, whip emphatically
into a frothy foam
in which albumen and yolk,
white and yellow
are inseparable.
Peel an onion--
white, yellow, red--
the choice is yours.
Slice this onion.
Chop this onion.
The tears are unavoidable.
Set aside.
Place a teflon coated pan
upon the burner--
medium heat.
A little oil to lubricate,
form a layer of protection
from the hot surface,
impart a little flavor.
Gently pour the beaten mixture
into the heated pan--
allow it to form--
slowly.
Layer upon layer of shredded cheese--
cheddar, mild or sharp,
maybe mozzarella or monterey jack.
Heap onion,
fold,
slide to plate.
Enjoy.
…a set of Ginsu® steak knives—ABSOLUTELY FREE!
March 15, 2010
This was an "assignment" from Jim Lundy, emcee of Monday Night Poetry and Music (aka Monday Night Blues) held every Monday at 8:00 at the East Bay Meeting House. He challenged us to write a poem from the perspective of an inanimate object. I researched Ginsu® steak knives, they have a website, they are still available.
I am at rest,
set in my appointed slot
set in the block of wood
set upon the kitchen counter
set for service.
Hold my ergonomically designed handle,
perfectly balanced,
in the palm of your hand;
let my stain and rust resistant
stainless steel blade
do the work—
gliding over sinews,
releasing hot juices.
Another slice?
My serrated teeth,
that are never in need of sharpening,
chew the flesh,
part it as I pass,
its tenderness no match
for my razor sharp wit
ness, ness
my cutting power.
I have served,
you are satiated.
In time,
the local law
find me set,
set within
the twenty-fifth fatal wound.
Film at eleven.
This was an "assignment" from Jim Lundy, emcee of Monday Night Poetry and Music (aka Monday Night Blues) held every Monday at 8:00 at the East Bay Meeting House. He challenged us to write a poem from the perspective of an inanimate object. I researched Ginsu® steak knives, they have a website, they are still available.
I am at rest,
set in my appointed slot
set in the block of wood
set upon the kitchen counter
set for service.
Hold my ergonomically designed handle,
perfectly balanced,
in the palm of your hand;
let my stain and rust resistant
stainless steel blade
do the work—
gliding over sinews,
releasing hot juices.
Another slice?
My serrated teeth,
that are never in need of sharpening,
chew the flesh,
part it as I pass,
its tenderness no match
for my razor sharp wit
ness, ness
my cutting power.
I have served,
you are satiated.
In time,
the local law
find me set,
set within
the twenty-fifth fatal wound.
Film at eleven.
Labels:
Ginsu steak knives,
humor,
inanimate object,
murder mystery,
poem,
poetry,
violence,
voice
Tuesday, May 18, 2010
To Everything There is a Season Suite
February 22, 2010
This started as an assignment in Creative Writing 238: take a cliche and give it fresh life. I had picked from the list "freezing to death" and wrote a poem. I liked it. I wanted to do more. So I dug out other seasonal cliches (or not so seasonal) and created a pastoral suite. The suite itself is cliche with my usual twists. From consummation and birth to the hereafter. Oh, how cliche.
Spring Has Sprung
Spring has sprung
in a bed of love
to the flow'ry bed
Spring has come.
Springs are sprung
in an upstream swarm,
a race to become
Sprung into one.
Spring has sprung
in a seed that's sown
to sprout and to grow,
Springing to one.
Spring! Sprung!
fountains of the deep
waters have broken—
Springing son.
Springs are sprung
on the hands of time
to the infant mind
Spring is one.
Dog Days
of summer moons
howlings
barkings
yippings and yappings
at silent sights and scents
of sniffing this and that
and the other
fresh smell
stale odor
butt hole
connoisseur of pooh
and all things aromatic
master of the olfactory
of humping legs
and pillows
and oversized teddy bears
anything with
fur and four legs
in heat
of pissing on trees
and fences and
grass and tires
whatever presents
itself as being worthy
of being pissed upon
for the pleasure of pissing
piss piss piss
of chasing after
cars
cats
tails
sticks and balls
tails
cats
cars
of laying about
with nothing but
to nip at fleas
snooze and dream
of summer moons
Leaves: Much To Be Desired
The crowns of the deciduous morph from green to brown in varying degrees and stages of gold, pumpkin, and rust, signaling the end of endless days, portending the approach of cold and frost. From a distance, the colors mix and blend: a panoramic landscape destined for desktops and calendars.
Dun branches and twigs clutch each changing leaf, holding it high until, fingers splayed, it lets go to reach for something higher.
Now they're scattered all over the lawn. They need to be raked and bagged. Even with gloves, blisters form before the first pile is crammed and compressed into thick brown paper bags. It's only natural to want to jump in.
Freezing To Death
…his breath
hung in the air
like a ghost.
The heavens likewise with stone gray expiration
entombed the barren countryside.
His arms
wrapped about his torso
like winding sheets.
Tree limbs creaked
like old bones
in the flurry.
His feet
buried in his boots,
frigid markers in the snow.
The ground experiencing the last stages of rigor
interred the pastoral setting for a seasonal eternity.
Hope Springs, Eternal
Better than Hot Springs, Eternal.
This started as an assignment in Creative Writing 238: take a cliche and give it fresh life. I had picked from the list "freezing to death" and wrote a poem. I liked it. I wanted to do more. So I dug out other seasonal cliches (or not so seasonal) and created a pastoral suite. The suite itself is cliche with my usual twists. From consummation and birth to the hereafter. Oh, how cliche.
Spring Has Sprung
Spring has sprung
in a bed of love
to the flow'ry bed
Spring has come.
Springs are sprung
in an upstream swarm,
a race to become
Sprung into one.
Spring has sprung
in a seed that's sown
to sprout and to grow,
Springing to one.
Spring! Sprung!
fountains of the deep
waters have broken—
Springing son.
Springs are sprung
on the hands of time
to the infant mind
Spring is one.
Dog Days
of summer moons
howlings
barkings
yippings and yappings
at silent sights and scents
of sniffing this and that
and the other
fresh smell
stale odor
butt hole
connoisseur of pooh
and all things aromatic
master of the olfactory
of humping legs
and pillows
and oversized teddy bears
anything with
fur and four legs
in heat
of pissing on trees
and fences and
grass and tires
whatever presents
itself as being worthy
of being pissed upon
for the pleasure of pissing
piss piss piss
of chasing after
cars
cats
tails
sticks and balls
tails
cats
cars
of laying about
with nothing but
to nip at fleas
snooze and dream
of summer moons
Leaves: Much To Be Desired
The crowns of the deciduous morph from green to brown in varying degrees and stages of gold, pumpkin, and rust, signaling the end of endless days, portending the approach of cold and frost. From a distance, the colors mix and blend: a panoramic landscape destined for desktops and calendars.
Dun branches and twigs clutch each changing leaf, holding it high until, fingers splayed, it lets go to reach for something higher.
Now they're scattered all over the lawn. They need to be raked and bagged. Even with gloves, blisters form before the first pile is crammed and compressed into thick brown paper bags. It's only natural to want to jump in.
Freezing To Death
…his breath
hung in the air
like a ghost.
The heavens likewise with stone gray expiration
entombed the barren countryside.
His arms
wrapped about his torso
like winding sheets.
Tree limbs creaked
like old bones
in the flurry.
His feet
buried in his boots,
frigid markers in the snow.
The ground experiencing the last stages of rigor
interred the pastoral setting for a seasonal eternity.
Hope Springs, Eternal
Better than Hot Springs, Eternal.
Labels:
Creative Writing 238,
death,
life,
nature,
poem,
poetry,
the future,
the past,
time
Dr. Preacha Man
February 22, 2010
He done rip
dat bandaid right off
an' he done wash dat spot
wi' de water
an' he scrub an' he scrub
'til I want
dat he scrub no more
'cause de tears
dey come pour out
'til I feel
I 'bout drown.
Den he put de sav
all up on where he scrub
an' de sav
it feel so cool
an' it make dat place
dat he scrub feel right.
An' de tears
dey still be comin' down.
He done rip
dat bandaid right off
an' he done wash dat spot
wi' de water
an' he scrub an' he scrub
'til I want
dat he scrub no more
'cause de tears
dey come pour out
'til I feel
I 'bout drown.
Den he put de sav
all up on where he scrub
an' de sav
it feel so cool
an' it make dat place
dat he scrub feel right.
An' de tears
dey still be comin' down.
Labels:
cleansing,
God,
Jesus,
poem,
poetry,
preacher,
redemption,
spiritual poetry
Monday, May 17, 2010
in the bar, after hours, full of promise
February 1, 2010
This was as exercise on setting in Creative Writing 238. From two lists, one of times, places, weather, the other of mood or atmosphere. The exercise was to select from each list and to suggest the mood by the setting. My selections compose my title--"in the bar, after hours" and "full of promise."
Stale smoke in the grand mirror
embraces bottles yet to be opened.
The clink of a coin in the jukebox
signals a change of rhythm.
Balls click click in the rack;
another game begins—
last call lights
constrict pupils,
but your eyes
are wide open.
This woman on the stool
beside you
couldn't be more beautiful.
This was as exercise on setting in Creative Writing 238. From two lists, one of times, places, weather, the other of mood or atmosphere. The exercise was to select from each list and to suggest the mood by the setting. My selections compose my title--"in the bar, after hours" and "full of promise."
Stale smoke in the grand mirror
embraces bottles yet to be opened.
The clink of a coin in the jukebox
signals a change of rhythm.
Balls click click in the rack;
another game begins—
last call lights
constrict pupils,
but your eyes
are wide open.
This woman on the stool
beside you
couldn't be more beautiful.
Labels:
Creative Writing 238,
loneliness,
poem,
poetry,
temptation,
writing
Write Me a Poem
January 11, 2010
Found this one in a worn pocket notebook of mine.
Write me a poem;
write me a poem.
Write me the words
that I want to hear.
Put it in words
that are nice to the ear.
Write me a poem;
please write me a poem.
I don't care what it says,
it's the thought that counts;
how long doesn't matter
it's not the amount
of words that you write in a poem.
Write in my poem
because it's my poem
and nobody else;
because it's my poem
I don't care if it sells.
So write me a poem—
just write me a poem.
It's a need that I have.
I don't understand why,
but the poem fills a void
with a thought, a laugh, or a cry.
So how about it—
you going to write
me a poem?
Found this one in a worn pocket notebook of mine.
Write me a poem;
write me a poem.
Write me the words
that I want to hear.
Put it in words
that are nice to the ear.
Write me a poem;
please write me a poem.
I don't care what it says,
it's the thought that counts;
how long doesn't matter
it's not the amount
of words that you write in a poem.
Write in my poem
because it's my poem
and nobody else;
because it's my poem
I don't care if it sells.
So write me a poem—
just write me a poem.
It's a need that I have.
I don't understand why,
but the poem fills a void
with a thought, a laugh, or a cry.
So how about it—
you going to write
me a poem?
Labels:
poem,
poetry,
poetry about poetry,
writing
Thursday, May 13, 2010
The Cleansing Power of Fire
November 2, 2009
I wept until I could weep no more.
The rainbow did not
appear in the sky.
The ground was still rock hard.
I cried out so loud my vocal cords were raw.
The wind did not
blow or breeze.
The trees did not yield their fruit.
I beat my fists bloody against the wall.
The stars did not
hold the answers.
The earth continued to move.
Where else can I go?
Who else can I turn to?
Let it burn.
I wept until I could weep no more.
The rainbow did not
appear in the sky.
The ground was still rock hard.
I cried out so loud my vocal cords were raw.
The wind did not
blow or breeze.
The trees did not yield their fruit.
I beat my fists bloody against the wall.
The stars did not
hold the answers.
The earth continued to move.
Where else can I go?
Who else can I turn to?
Let it burn.
Labels:
cleansing,
enduring,
faith,
God,
hope,
hopelessness,
Jesus,
life,
loneliness,
nature,
poem,
poetry,
prayer,
religious poetry,
spiritual poetry,
storms,
tribulations,
troubles
Do Not Deal Harshly With My Tender Lambs
(Psalm 18:4-24)
October 14, 2009
What happened to your heart
when your baby (insert name here)
got sick and cried all night,
unable to tell you what was wrong?
How did you feel
when your child (__________)
bruised their knee or
scraped their elbow,
and came running to you crying?
Where did your mind go
when that bully,
where-are-his-parents, brat pushed
your boy (__________)
on the playground?
Why did you think
what you thought
when that no good,
holding-my-tongue, boy broke
your daughter’s (__________) heart.
Stir up and recall the feelings you get
when you see the faces on the posters
at WalMart, when you hear an Amber alert.
They all have names.
Arouse and remember the emotions that arise
while watching crime drama or the news on TV
about child abductions and pedophiles and
oh, what you would do if you had five minutes alone with them.
Whose face
do you see
at the mention of
infant mortality,
diseased babies,
beaten and abused children,
child porn,
children used as drug mules,
“adoption” slavery,
my God, how could this be,
this is the twenty-first century?
God knows their names.
You (__________)
are His children.
October 14, 2009
What happened to your heart
when your baby (insert name here)
got sick and cried all night,
unable to tell you what was wrong?
How did you feel
when your child (__________)
bruised their knee or
scraped their elbow,
and came running to you crying?
Where did your mind go
when that bully,
where-are-his-parents, brat pushed
your boy (__________)
on the playground?
Why did you think
what you thought
when that no good,
holding-my-tongue, boy broke
your daughter’s (__________) heart.
Stir up and recall the feelings you get
when you see the faces on the posters
at WalMart, when you hear an Amber alert.
They all have names.
Arouse and remember the emotions that arise
while watching crime drama or the news on TV
about child abductions and pedophiles and
oh, what you would do if you had five minutes alone with them.
Whose face
do you see
at the mention of
infant mortality,
diseased babies,
beaten and abused children,
child porn,
children used as drug mules,
“adoption” slavery,
my God, how could this be,
this is the twenty-first century?
God knows their names.
You (__________)
are His children.
Labels:
abuse,
children,
God,
love,
poem,
poetry,
religious poetry,
sin,
spiritual poetry,
tribulations,
troubles
Wednesday, May 12, 2010
Epic grams: A Word Picture Book for Adults
Here are some epigrams.
CAUTION!
These poems contain highly concentrated language!
My Poems
I'm just feeling my way around the elephant.
Commentary on “My Poems”
The elephant is an elephant, regardless.
Jesus
The whole elephant.
Christ
Simply divine.
The Glory of God
I can't see
Listen
sometimes a tune
hummed
sometimes a word
spoken
cool of the day
still of the night
connection
Sharp Truth
I've come to the conclusion
that my happy delusions
are more of a fatality
than the pain of reality.
False Humility
i
True Humility
You.
Violence
Silence
VIOLENCE
silence
My Poems
I'm just feeling my way around the elephant.
Commentary on “My Poems”
The elephant is an elephant, regardless.
Jesus
The whole elephant.
Christ
Simply divine.
The Glory of God
I can't see
Listen
sometimes a tune
hummed
sometimes a word
spoken
cool of the day
still of the night
connection
Sharp Truth
I've come to the conclusion
that my happy delusions
are more of a fatality
than the pain of reality.
False Humility
i
True Humility
You.
Violence
Silence
VIOLENCE
silence
Cobweb in the Church Rafters
August 11, 2009
The inspiration actually came from a cobweb in church. I kept seeing this cobweb from week to week in the steel beams and ductwork and conduit, all painted black, of our church sanctuary. Our worship service is fairly modern with stage lighting and songs/graphics on two large screens, and the lights would make this cobweb glow. And for several weeks it was as if the Lord kept pointing it out. It made me laugh.
A single thread
of dust clothed cobweb
cluttering a corner of the ceiling
of the sanctuary;
stretched
from one indeterminate spot to another;
glowing in the spotlight
amidst the twinkling dust motes;
swaying in the breeze
of air conditioning
in the light and out of
bending, curving moving in the darkness
like an optic fiber hidden, invisible
carrying the light in the dark
this fine filament
eluding the scientific mind
from being
recreated;
its tensile strength and elasticity
unmatched in the material:
yet, the flick of a finger,
the wave of a hand
can cast it down.
Someone needs to dust.
The inspiration actually came from a cobweb in church. I kept seeing this cobweb from week to week in the steel beams and ductwork and conduit, all painted black, of our church sanctuary. Our worship service is fairly modern with stage lighting and songs/graphics on two large screens, and the lights would make this cobweb glow. And for several weeks it was as if the Lord kept pointing it out. It made me laugh.
A single thread
of dust clothed cobweb
cluttering a corner of the ceiling
of the sanctuary;
stretched
from one indeterminate spot to another;
glowing in the spotlight
amidst the twinkling dust motes;
swaying in the breeze
of air conditioning
in the light and out of
bending, curving moving in the darkness
like an optic fiber hidden, invisible
carrying the light in the dark
this fine filament
eluding the scientific mind
from being
recreated;
its tensile strength and elasticity
unmatched in the material:
yet, the flick of a finger,
the wave of a hand
can cast it down.
Someone needs to dust.
Labels:
cleansing,
man,
poem,
poetry,
religious poetry,
soul,
spiritual poetry
Advice to J. Alfred Prufrock…
July 24, 2009
This was written while I was taking English Composition II. We had read T.S. Eliot's poem "The Love Song of J. Alfred Prufrock" and the discussion centered mostly on the sexuality of the poem. I was intrigued by the second half of line 121:
"Do I dare to eat a peach?"
from God:
Taste and see
that the fruit is good.
Just don't eat the fruit
from that tree.
from the serpent:
Has God said
thou shalt not
eat a peach?
from a Puritan:
Thou shalt not eat of the peachtree,
nor the fruit thereof;
lest thou become as one
of the fruiteaters
who bare not fruit.
from a nutritionist:
0g fat
cholesterol, 0mg
0mg sodium
dietary fiber, 3g
go ahead
from Hamlet:
To eat or not to eat: that is the question:
Whether 'tis favorable for the tongue to satisfy
With the savory juices of this sweetest of fruit,
Or to ingest the fibrous flesh and
To suffer in the end? To eat: to squat;
More and more; and by squat to say no end.
from Freud:
You are titillated and fixated
upon your mother's breasts.
from a poetry critic:
To Prufrock,
the peach
is merely a metaphor
symbolizing a sweet life
that is unattainable,
since you rouse to reality when
“human voices wake us” (line 131).
Therefore,
whether you dare
or no, you will not.
This was written while I was taking English Composition II. We had read T.S. Eliot's poem "The Love Song of J. Alfred Prufrock" and the discussion centered mostly on the sexuality of the poem. I was intrigued by the second half of line 121:
"Do I dare to eat a peach?"
from God:
Taste and see
that the fruit is good.
Just don't eat the fruit
from that tree.
from the serpent:
Has God said
thou shalt not
eat a peach?
from a Puritan:
Thou shalt not eat of the peachtree,
nor the fruit thereof;
lest thou become as one
of the fruiteaters
who bare not fruit.
from a nutritionist:
0g fat
cholesterol, 0mg
0mg sodium
dietary fiber, 3g
go ahead
from Hamlet:
To eat or not to eat: that is the question:
Whether 'tis favorable for the tongue to satisfy
With the savory juices of this sweetest of fruit,
Or to ingest the fibrous flesh and
To suffer in the end? To eat: to squat;
More and more; and by squat to say no end.
from Freud:
You are titillated and fixated
upon your mother's breasts.
from a poetry critic:
To Prufrock,
the peach
is merely a metaphor
symbolizing a sweet life
that is unattainable,
since you rouse to reality when
“human voices wake us” (line 131).
Therefore,
whether you dare
or no, you will not.
Labels:
loneliness,
love poem,
poem,
poetry,
poetry about poetry,
relationships,
sexual,
temptation
Saturday, May 8, 2010
Listen
July 18, 2009
sometimes a tune
hummed
sometimes a word
spoken
cool of the day
still of the night
connection
sometimes a tune
hummed
sometimes a word
spoken
cool of the day
still of the night
connection
Labels:
direction,
faith,
God,
peace,
prayer,
religious poetry,
spiritual poetry
In the Dark
July 13, 2009
Seems like everyone who came to Jesus in the New Testament did so out in the open, in the streets for all to see.
Every head bowed,
every eye closed;
confession is made
to the All-Knowing Lord
who speaks everything
even to himself.
Now if the light is hid
on the hill
and no one's around,
does anyone hear
knees hitting the ground,
or the sound of the silent
prayer? Who cares
if you meant it or mean it,
as long as you come clean;
it's really a personal thing.
But we're told
to drink of the cup
that's held
and passed around the company
of friends, of strangers, of
God knows who.
Why does anyone else need to know
my business, my religion?
We don't speak of these
at the table.
So I will
bow my head
and close my eyes
because when I do
you can't see me.
Seems like everyone who came to Jesus in the New Testament did so out in the open, in the streets for all to see.
Every head bowed,
every eye closed;
confession is made
to the All-Knowing Lord
who speaks everything
even to himself.
Now if the light is hid
on the hill
and no one's around,
does anyone hear
knees hitting the ground,
or the sound of the silent
prayer? Who cares
if you meant it or mean it,
as long as you come clean;
it's really a personal thing.
But we're told
to drink of the cup
that's held
and passed around the company
of friends, of strangers, of
God knows who.
Why does anyone else need to know
my business, my religion?
We don't speak of these
at the table.
So I will
bow my head
and close my eyes
because when I do
you can't see me.
Labels:
faith,
Jesus,
poem,
poetry,
prayer,
religious poetry,
spiritual poetry,
truth
Remuneration
July 9, 2009
No one makes money writing poetry.
Well, someone eventually does gain:
a publisher, some critic, an estate—
someone.
But after you're dead
and can't come back
to defend or explain.
No, really. It was just
about a tree.
I was not on drugs
when I wrote that.
I was more perfectly sane
than at any other time in my life.
If you don't get it, don't worry.
I didn't write it for you.
No one makes money writing poetry.
Well, someone eventually does gain:
a publisher, some critic, an estate—
someone.
But after you're dead
and can't come back
to defend or explain.
No, really. It was just
about a tree.
I was not on drugs
when I wrote that.
I was more perfectly sane
than at any other time in my life.
If you don't get it, don't worry.
I didn't write it for you.
Watching My Husband Dress
(to me from my wife)
July 1, 2009
I wrote this from Lynn's point of view. She said I nailed it.
I like to watch my husband
dress for work;
everything is always done
the same.
It starts when he's shaving.
I don't know why
but that just fascinates me.
Pulling the razor
over the curve of
his neck
with self assured movement
to the line of his beard
under his chin
scraping away the day-
old stubble.
When he tucks in his shirt
zips his fly
notches his belt
I hate him—
the notch has moved in.
I don't want him to lose
his Buddha belly. It's just big enough.
As he looks in the mirror,
adjusts his tie and
arranges himself,
he is so focused.
I feel that if I interfered
at any time
during this entire process
he would push me aside.
July 1, 2009
I wrote this from Lynn's point of view. She said I nailed it.
I like to watch my husband
dress for work;
everything is always done
the same.
It starts when he's shaving.
I don't know why
but that just fascinates me.
Pulling the razor
over the curve of
his neck
with self assured movement
to the line of his beard
under his chin
scraping away the day-
old stubble.
When he tucks in his shirt
zips his fly
notches his belt
I hate him—
the notch has moved in.
I don't want him to lose
his Buddha belly. It's just big enough.
As he looks in the mirror,
adjusts his tie and
arranges himself,
he is so focused.
I feel that if I interfered
at any time
during this entire process
he would push me aside.
Purpose Driven Poetry
July 1, 2009
I want to write poetry that
praises my God;
rejoices in right,
illuminates wrong;
awakens the soul,
revives the spirit,
stirs emotions,
challenges the mind,
makes sense;
breaks fallow ground,
waters the barren soil,
and grows;
feeds the hungry,
gives drink to the thirsty,
uplifts the arms that hang;
makes old men remember,
young men desire,
women weep;
doesn't make sense;
causes leaders of white-washed tomes
want to take me out and stone me,
pisses off professors
of logic, and reason, and apologetics;
pleases my God.
I want to write
poetry.
I want to write poetry that
praises my God;
rejoices in right,
illuminates wrong;
awakens the soul,
revives the spirit,
stirs emotions,
challenges the mind,
makes sense;
breaks fallow ground,
waters the barren soil,
and grows;
feeds the hungry,
gives drink to the thirsty,
uplifts the arms that hang;
makes old men remember,
young men desire,
women weep;
doesn't make sense;
causes leaders of white-washed tomes
want to take me out and stone me,
pisses off professors
of logic, and reason, and apologetics;
pleases my God.
I want to write
poetry.
Labels:
faith,
God,
imagination,
poem,
poetry,
poetry about poetry,
spiritual poetry
My Calling: God Spoke in the Shower
July 1, 2009
God spoke to me today
while I was in the shower
washing my hair.
Tell of my love.
I covered my head and my face
with my arms
and I wept.
David was a prophet.
God spoke to me today
while I was in the shower
washing my hair.
Tell of my love.
I covered my head and my face
with my arms
and I wept.
David was a prophet.
Labels:
calling,
direction,
faith,
God,
poem,
poetry,
prophet,
religious poetry,
spiritual poetry
A Postmodern Psalm
July 1, 2009
I will not dread global warming,
For my God is the Intelligent Designer.
I will not panic over a world pandemic,
For my God is the Great Physician.
I will not feel threatened by atomic attack,
For my God is my Star Wars Defense.
I will not be terrified of nuclear winter,
For my God is my Fallout Shelter.
I will not be held hostage by terrorists,
For my God does not negotiate.
I will not be paralyzed by global recession,
For my God is my Financial Advisor.
I will not be intimidated by any energy crisis,
For my God is my Everlasting Fuel.
I will not dread global warming,
For my God is the Intelligent Designer.
I will not panic over a world pandemic,
For my God is the Great Physician.
I will not feel threatened by atomic attack,
For my God is my Star Wars Defense.
I will not be terrified of nuclear winter,
For my God is my Fallout Shelter.
I will not be held hostage by terrorists,
For my God does not negotiate.
I will not be paralyzed by global recession,
For my God is my Financial Advisor.
I will not be intimidated by any energy crisis,
For my God is my Everlasting Fuel.
Labels:
God,
poem,
poetry,
praise,
spiritual poetry,
tribulations,
troubles
I'm Back
Well, it's been almost a year since my last post. I stopped because I was looking into sending some of this stuff I call writing to other publications. In my research it appeared that publishers were looking for previously unpublished material and that even an unheard of blog was considered publication. So I stopped. I just finished a Creative Writing course at Trident Tech and apparently that applies if you are attempting to be published on the web, cross markets (books, magazines) should not be a problem.
So, let's try this again.
So, let's try this again.
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